" This volume gathers and surveys Rauschenberg’s numerous uses of photography for the first time. It includes portraits of friends such as Cy Twombly, Jasper Johns, Willem de Kooning, Merce Cunningham and John Cage, studio shots, photographs used in the Combines series, silkscreens, photographs of lost works and works in progress - allowing us to reimagine almost the entirety of the artist’s work in light of his uses of photography, while also supplying previously unseen glimpses into his social nexus of the 1950s and 60s.
Robert Rauschenberg’s engagement with photography began in the late 1940s during his time at Black Mountain College in North Carolina ; for a while he was even unsure whether to pursue painting or photography as a career. Instead he chose both. He found ways to fold photography into his Combines, and maintained a practice of photographing friends and family, documenting the evolution of works and occasionally dramatizing them by inserting himself into the picture frame.
As the distinguished curator Walter Hopps wrote : " The use of photography has long been an essential device for Rauschenberg’s melding of imagery… [and] a vital means for Rauschenberg’s aesthetic investigations of how humans perceive, select and combine visual information. Without photography, much of Rauschenberg’s œuvre would scarcely exist.”.
The artist himself affirmed : " I’ve never stopped being a photographer.” "
Cent-douze photographies prises par Robert RAUSCHENBERG, entre 1949 et 1962 à New York, en Europe et en Afrique du Nord.
Hormis celles de la série Portfolio, les photographies sont à pleine page.
.Liste des photographies (112)
.Liste des figures (35)
To Exist in Passing Time par Nicholas CULLINAN (35 figures)
Préface de S. DAVIDSON et D. WHITE
Londres, Thames and Hudson, 2011, cartonnage illustré, jaquette illustrée, 232 pages.
TEXTE EN ANGLAIS
librairie couleur du temps, thames and hudson, rauschenberg, rauchenberg, roschenberg, rochenberg, néo dada, expressionnisme abstrait, abstraction, pop art,