Publié à l'occasion de l'exposition présentée par le Metropolitan Museum of Art, à New York, du 13 avril au 28 août 2011, puis par la Menil Foundation, à Houston, du 2 mars au 10 juin 2012.
" As the focal point of numerous high-profile exhibitions, the sculpture of Richard Serra (b. 1939) has drawn international acclaim. Yet even those who have marveled at Serra's intellectually rigorous and large works of sculpture may not be familiar with his equally intriguing drawings. This handsome book brings together for the first time Serra's drawn work, considering the artist's investigation of medium as an activity both independent from and linked to his pioneering sculptural practice.
First working in ink, charcoal, and lithographic crayon on paper, Serra originally used drawing as a means to explore form and perceptual relations between his sculpture and the viewer. Over time, his drawings underwent significant shifts in concept, materials, and scale and became fully realized and autonomous works of art. The grand, bold forms he created with black paintstick in his monumental Installation Drawings were designed to disrupt and complement existent spaces and eventually began to occupy entire rooms. In the late 1980s, Serra explored the tension of weight and gravity through layering, and his most recent work experiments with surface effects, using mesh screens as intermediaries between the gesture and the transfer of pigment to paper. "
Quatre-vingt-et-une reproductions - la plupart à pleine page et en belle page - dont 3 sur pages dépliantes.
Signalons deux entretiens avec Richard Serra menés par Lizzie BORDEN (1977) et par Gary GARRELS (2010) - 15 illustrations.
Signalons également un texte de Richard SERRA, Notes on Drawing (1988).
Textes de M. WHITE, R. SHIFF, B. ROSE et M. DABROWSKI (33 illustrations)
.Biographie par M. WHITE (21 vignettes)
.Expositions individuelles et collectives (1968-2010)
Richard SERRA, San Francisco, 1939
New York, Metropolitan Museum of Art et Houston, The Menil Foundation, 2011, 25 x 30,5 cm, pleine toile noire, jaquette illustrée, 230 pages.
TEXTE EN ANGLAIS
librairie couleur du temps, menil foundation, serra, sera, minimalisme, sculpture, sculpteur,